*ebook promotion reminder!* My ebook When Colour Became Grey will be available FOR FREE to download from Thursday 26th November 8am UK time // 9am CET until Saturday 28th November 7.59am UK time // 8.59am CET. Get ready to download in just a few days! 🙂
Whatever you’re feeling, you can use your emotions to write and let yourself be inspired by them. Depending on what genre you write, there will be emotions communicated in your writing. If your book is a horror story, the emotions may be mostly sinister, but there are still a multitude of emotions you can explore within that dark setting.
Sometimes writing is used to escape your current life situation. But what if your feelings are just too present? What if you cannot dissociate from them? As they say, if you cannot beat them, join them. In that sense, if you are having trouble connecting to your book and characters, then focus on parts of the book that are similar emotionally to your current state of mind.
Right now, I’m in lockdown, it’s cold and dark outside. I’m feeling depressed, lonely, annoyed, restless, angry. So when I write I will focus on parts of the book that are centered around betrayal, heartbreak, loneliness and despair. It will be harder for me to describe a summer wedding right now, unless I can completely disconnect from my current surrounding. And while I often can disconnect, sometimes the things in my personal life are just too present. But this doesn’t mean you cannot utilize what you feel. That way you’re not limited to writing only when you’re in a particular state of mind that fits the plot line.
What are you currently feeling? How is your writing going this winter season?
[Disclaimer: I’m working on the sequel of When Colour Became Grey, but any scenes described in this blog are always just examples. There are no spoilers in my description above. 😉 ]
It’s sometimes difficult to keep track of what is happening when, especially if you write a longer book, or to remember if you’ve explained something already or if it’s just in your head.
When I write, I often let my mind wonder and let the fingers type away on my keyboard. I don’t worry too much about how it works in the overall story. I have the outline of the story in the back of my mind, but I don’t interfere or direct my thoughts in any one way or another.
In draft one, I have lots of scenes and patches written. Next step is about connecting and changing them so they make sense and fit together. I don’t write the whole story in the first draft.
Often I will have many open questions that remain unanswered for months on end, until I figure out what to do with them and how they fit in the story. It can range from a character I haven’t introduced or assigned a role yet, or a scene I don’t know where to place, but it can also be insiders that hint towards something, but I haven’t yet written the corresponding part to it. I need to remember to finish that thought somewhere. For this I use footnotes in Word a lot. I use them to remind myself of plot holes or things that don’t work at the moment. Often I will forget about them until I read the footnote (hence why I always write it down). And reading them repeatedly helps me remind myself of what I still need to figure out. These footnotes accumulate in the back of my mind so when I write new parts, or rewrite parts, I will remember them and incorporate them.
I also use colours when I want to highlight something that is currently written a certain way, but needs to be rewritten, but I can’t figure out how yet.
I also highlight important things that I know will be key moments in the story, so that when I look for them or want to double-check what I wrote previously, I can quickly find it. I use this for example when I introduce a character for the first time.
How do you organize your thoughts when you write?
Last week I explained the hardest part of the writing process for me, I thought this week I’d delve into what I found was the easiest.
Instinctively, I would say the easiest part was the character creation. I had a very clear image of the main characters and their motivation, partly because I base them on people I know, partly because whenever I experienced writer’s block I would spend time with my characters. This would often trigger ideas for the plot line. This also meant that when I then came up with ideas for the plot line, I knew if it would fit with the personalities of my characters, or if the plot line would need to be tweaked to make it work, or if my characters needed to be “strong-armed” into reacting the way I needed them to.
Character development along the plot line was a bit harder, but because I knew my characters pretty well, I knew what kind of catalysts I would need to make them evolve along the story. By extension, I also didn’t have too much trouble finding character names. Only the main character changed names several times.
Another easy part which I had alluded to in my previous post, was the editing process. It took a long time, but once you’ve written the story all the way through, you know where you want to go and you can more easily cut scenes that are not really advancing the plot. I’m basing this on working with an editor. He made this part infinitely easier. When he made suggestions, I knew if I liked his suggestions, or if I disagreed with them. This gives you perspective and makes it easier to trim your story and perfect the pacing.
In writing the sequel, I found it easier to start writing the beginning because I already have a base I can use. I would say I’ve written the first quarter easily, but then it slowed down. I have the ending figured out (more or less) and parts of the middle, but it’s connecting the parts and making it all flow that seems to be trickier. What do you find easy when writing? What is harder?
Every part of the the writing process has different challenges. Some come to me more naturally than others. Editing for example takes me a long time, but comes to me more easily than writing a first draft.
For me, the hardest part is coming up with the plot line, and I don’t mean just the initial idea, but the complete description/action in the book. If I take the example of When Colour Became Grey then the initial idea is described in the blurb. That’s the overall direction of travel, but what happens on those 300 pages needs to be much more precise and make sense. You can’t make something happen that wouldn’t fit the character’s personality or come up with “easy solutions” or over-dramatization (I’m thinking here of a particular action movie where the main character almost dies 7 times but somehow is always saved in the last second. After the third time I couldn’t take it seriously anymore). As the author you can write exactly what you want, but readers need to accept where you’re taking them and it needs to be somewhat plausible.
To me writing is like creating an intricate tapestry. You start off with just the overall idea and you add in layers of color, pattern, use different material to give the story a different feel as you move on. The reader only sees a small portion of the threads, as if they’re going over the tapestry with a magnifying glass. But as they read on, more and more of the tapestry is revealed until they see the whole piece, and ideally you write in a way that the reader understands “insiders” from earlier in the story that they only discover once they’ve finished the story.
Initially when writing a detailed plot line, I write what the story is about looking at it solely from the main character’s perspective. Then I think about the role of the secondary characters and how they interact with the plot line of the main character (so I’m still looking at it with a view on how it will influence the main character only); are they always helping the plot advance and how do they advance the plot line, or do they interfere and force the plot line of the main character to change? After this, I question whether it makes sense for the secondary characters to act the way I’ve described it; does it fit with their personality?
I leave room for spontaneity and for the story to take control over me; just like I’ve written in my post on how to bring characters to life I let my imagination take over and take me where it wants to go. It often leads to great ideas and scenes.